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Showing posts with the label appreciation

My journey in design (till July 2025)

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This essay was drafted as a response to the question "What was your initial idea about design?" during the introductory sessions in NID Ahmedabad . Dated July 2025. Design as an architecture student was to design buildings at the end of the day. A well-designed building was climatically efficient while being geometrically and visually pleasing. We were taught design as something scientific, where material constraints and space use needed to be understood. Every drawing was meant to address all human activity and needs, while balancing client requirements and aspirations. Design became a formula to achieving the fundamentals to a good building. Although we were taught how design borrows from art, it was never a comparison between the two; architecture was different and superior. As I worked in Charles Correa Foundation (An organisation dedicated to keeping the ideas of the imminent post-independence Indian architect relevant) I was opened to the social role of architecture an...

Re: Love in the Time of Cholera

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  It took me a considerable amount of time to read this book, hindered by exams, deadlines, and outings with my friends, oscillating between complete engrossment and utter boredom; all of which culminated in last week, where I couldn't put the book down. The story elicited a range of emotions in me, from the obvious romantic ‘heart-eyes’ to the outright disgust over the protagonists’ actions. I am certain that the author, Gabriel Garcia Marquez, intended for all readers to experience these contrasting feelings. He deliberately crafts his characters to be deeply layered, spending extensive paragraphs ensuring you comprehend how their minds process everything, only to surprise you when the context shifts their actions. In my view, the story features three protagonists: the two alleged lovers who have been separated by various people and circumstances, and lastly, a man who presents as the most significant reason for this separation. The outcome of the highly detailed writing is that...

Metamorphosis :: Retrospective

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Gregory Samsa wakes up to see himself turned into an insect. I llustration by Richard Johnson. It's my routine: I go to sleep, prepared to repeat the same old daily routine or work. But, when I open my eyes, I cannot seem to get up. As I look down, my arms and legs are turned into a bug’s. Even my body has become hard and resembles that of a beetle/centipede. Now, what do I freak on about first? My body that doesn't look human anymore? The fact that my body hurts and cannot move? Or my work and the morning train that I have surely missed? Gregory worries about the latter and the consequences that will follow if he misses this day or even dares to show up late. It takes a unique level of conditioning where one discards their own wellbeing for work. Written in 1912, I am not sure if Kafka’s time had corporate toxic work culture but he was able to accurately predict and satirise a way of living which would be the norm 100 years later.  Myself, my peers and even my seniors have emb...

The fault in the Sassoon Docks Art Festival

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  Poster for the Mumbai Urban Art Festival 2022-23 by St+art Foundation retrieved from paytminsider.com Recently I had the fortune to visit the Mumbai Urban Art Festival 2022-23. This was the second year of the festival being hosted in Sassoon Docks, Mumbai. Sassoon Docks is a fishing port for the koli fishing community, which also includes a bustling fish market, fish related industries and car garages on the site. The art festival is beautifully integrated in the negative spaces of the site, existing in the voids of the daily. The art installations took visual-based forms, where the clear bias for Instagram bloggers was apparent. The installations retained their social message along with their visual flair. The festival in its nature is open-to-all. However, what was common to see an overarching majority of teen to young adult audience who were extremely eager to take a photograph for their social media platforms and covering as much ground as possible in the shortest amount of t...

My visit to the Gun House, Ahmedabad by Charles Correa

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 Gun House as built in 1960, copyright Charles Correa Associates, courtesy of Charles Correa Foundation * After wrapping up my fellowship at the Charles Correa Foundation in Panaji, Goa, I needed a time-off to think about what I was going to do next. After listening to about a hundred different versions of my future from everyone around me, and disagreeing with all of them, I returned back home only to quickly elope to Gujarat for a well-earned time off. Amongst the places I got to visit & the people I got to spend time with, one experience took centre stage for me. Working on the Correa Archive, I had developed a good understanding of Correa’s work. One such was the Gun House, and knowing I will be so close to it on this trip; I had to make it a must to go and see it. The idea of the Gun House, from its name, shape, to the stories of its current fate brought tremendous interest to my mind. It is rare to see a work of a significant architect that goes through such massive deg...

Charles Correa - Mythic Image

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Manhattan New York as seen from a boat returning from Ellis Island by John Salatas, 15 April 2017. Retrieved from Wikipedia Commons. This essay is in continuation to reviewing A Place in the Shade by Charles Correa.  The essay starts by letting us know that Correa has become a part of the steering committee in the Aga Khan award. This opens him up to the contemporary outlook of the architectural professional.  Correa asks what the mythic image is, and the value it holds in the mind of the architect. In a way, it's an extremely helpful ruck sack of ideas and concepts that an architect relies on to come up with solutions for the design. But, at the same time, is a curse that limits the architect to critically look at the site and the context that needs addressing. Constantly with Correa, we see him value and fall back on this topic of site context and its climate. Correa refers to Islamic architecture and its spread to the east and how it moulded and reinvented itsel...

Decoding Le Corbusier through Charles Correa (Part 1)

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(Above) Le Corbusier looking towards the High Court Building’s main façade. This is continuing the review of essays by Charles Correa in his book, A Place in the Shade.  To claim that Correa is a free thinker would be an understatement. The man can be both, a harsh critic and a benevolent supporter and for the case of Le Corbusier here, he is both Through Chandigarh's Capital Complex, Correa strips Corbusier of every layer showing every little sentiment the man shared in designing buildings and what he seemingly ignored in his quest. Corbusier had the task of making this newly independent country's newest city, all the while establishing the language of architecture for the coming future.  Correa introduces himself to the reader before the critique and praise of Le Corbusier, in a way that gives credibility to the man. From the ideals of climate, culture, material, design and more. Charles Correa is no preacher, but the embodiment of a practitioner with a rich set ...

A Place in the Shade by Charles Correa - Introduction

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As I sat down with a copy of the Place in the Shade and read the introduction text by Correa, it prepared for the journey through the thoughts of the Greatest Architect of India. Correa's words stand as strong as time itself as I would realise while reading this book. Knowing full well that I'll have to read this at different points of my life; and that with every read, Correa would tell me something new every time through those same string of words. Correa starts off the book with a superhero origin like story of the phenomena that unknowingly shaped him into the designer at the world knows him now as. Correa talks about the skill of imagination as a child customizing train tracks into complex layouts for his amusement and softly transitions to the topic of architectural design while traversing the topics of film, drama, Chinese gardens and interior design here we see Charles Correa, someone who has practiced and mastered the use of the Ritualistic Pathway talk abo...

The New Landscape by Charles Correa, 1985

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The following are some thoughts and ramblings that went across my mind when reading the The New Landscape by Charles Correa. Picking this book up after my completion of the course of architecture was a huge tragedy. I can only imagine how much of a better sensitivity and realness my designs could have portrayed in their conception, which eventually were superficial at best. The book is rightfully said as a must read for every architect/planner willing to practice in India and the ideas and lens of critical thinking are a boon to the profession.  The fact with building the urban world is the higher density that comes along with it. And to bring this to reality, to build forms of over 4 stories, exponentially increases the cost of construction due to the use of RCC. This ultimately marks the price of housing to rise leading to the outcome being only  affordable to the upper and middle class, forcing the lower class to move to the street.  Indian cities, for exam...

The Irishman (2019)

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  “I heard you paint houses, Frank?” “Yes sir I do, and I do my own carpentry too.” -         The Irishman (2019) The tale of time and power, contract serial killer, mobster and a friend; Frank Sheeran’s rise and absolute demise are all visualised and narrated through the old man himself; engaging in the revelling story of friendship, loyalty and protection. Starting from its many metaphors serving as foreshadowing of the approaching end, return back to haunt him. The POWs digging their graves, on the face of death. The rotting smell of the fish being a smug nod to “something fishy” and the now tainted morality of Frank.  A story where Scorsese chooses to showcase deaths being cold, quick and like clockwork, commenting on the detached psyche and “Its time” acceptance of Frank, completely devoid of honour and emotion. Only ignored for Jimmy Hoffa, his friend and Sally Bugs, a bad hit. The editing choice to introduce side characters with ...