Decoding Le Corbusier through Charles Correa (Part 1)

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(Above) Le Corbusier looking towards the High Court Building’s main façade.

This is continuing the review of essays by Charles Correa in his book, A Place in the Shade. 

To claim that Correa is a free thinker would be an understatement. The man can be both, a harsh critic and a benevolent supporter and for the case of Le Corbusier here, he is both

Through Chandigarh's Capital Complex, Correa strips Corbusier of every layer showing every little sentiment the man shared in designing buildings and what he seemingly ignored in his quest. Corbusier had the task of making this newly independent country's newest city, all the while establishing the language of architecture for the coming future. 

Correa introduces himself to the reader before the critique and praise of Le Corbusier, in a way that gives credibility to the man. From the ideals of climate, culture, material, design and more. Charles Correa is no preacher, but the embodiment of a practitioner with a rich set of ideals. He doesn't say these words about one of the greatest modern architects in history without a massive library of his work that are also included in the greatest works of architecture ever produced. Correa backs himself on these ideals and shows how if they are ignored, affect the people that these buildings are made to serve.

Le Corbusier is decoded as a showman. Almost like an acrobat (that Corbusier admires), he is fascinated by the idea of majesticism and the supernatural effect that his creations leave behind. And how this prioritisation of his showmanship failed to address his role as an architect and as a visionary for the emerging architecture of India. Many have learned from him and his buildings. These architects have continued the legacy of Corbusier, while making something of their own. Correa had a different upbringing in architecture and reasoning, that set him apart from these set of Indian architects. 

Now with Correa gone, the question is who will be the one next to continue this level of critical thinking & practice? It is this disheartening to see more of Correa's disciples are not in India or cannot match his charisma and dedication to the craft. 


Image credits: Leoni, Francesca & Moser, Sarah & Çelik, Zeynep & Behiery, Valerie. (2015). Exhibition Reviews. International Journal of Islamic Architecture


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